Today is the Feast of the Annunciation, previously discussed here, when the Ghvtismshobeli was addressed by the angel Gabriel and told of her destiny as the Mother of God.
This is one of my favourite hymns for this feast, although it is not Georgian. Called “The Pre-Eternal Council” or “Sovet Prevechny”, it was written by Russian composer Pavel Chesnokov.
Gabriel stood before thee, O Maiden,
Revealing the pre-eternal counsel,
Saluting thee and exclaiming:
“Rejoice, O earth unsown!
Rejoice, O bush unburnt!
Rejoice, O depth hard to fathom!
Rejoice, O bridge leading to the heavens
and lofty ladder, which Jacob beheld!
Rejoice, O divine jar of Manna!
Rejoice, annulment of the curse!
Rejoice, restoration of Adam:
the Lord is with thee!
Sovet prevechnyi otkryvaya Tebe Otrokovice,
Tebe lobzaya i veshaya:
“Raduisya, zemle nenaseyannaya:
Raduisya, kupino neopalimaya:
Raduisya, glubino neudobozrimaya:
Raduisya, moste k Nebesem privodyai,
i lestvice vysokaya, yuzhe Iakov vide:
Raduisya, Bozhestvennaya stamno manny:
Raduisya, razreshenie klyatvy:
Raduisya, Adamovo vozzvanie,
s Toboyu Gospod’ “
Pavel Chesnokov’s biography by Robert Cummings states;
Pavel Chesnokov was arguably the foremost Russian composer of sacred choral works during his time. He wrote around 500 choral works, about 400 of them sacred. Chesnokov was a devout follower of the Russian Orthodox Church and was inspired to write most of his works for worship in that faith. His best-known composition, one of the few works he is remembered for today, is Salvation is Created, a Communion hymn based on a Ukrainian chant melody. During the Soviet era, Chesnokov was better known as a choral conductor than composer. Indeed, he was praised, even by the Soviets, for his skills in choral conducting, though they remained hostile to his sacred music throughout his lifetime……..
…..Pavel Chesnokov was born into a musical family on October 12, 1877. His education was extensive: his first advanced studies were at the Moscow School of Church Music (he graduated in 1895); he next worked privately with composer Sergey Tanayev and later studied at the Moscow Conservatory (graduating in 1917), where his list of teachers included Mikhail Ippolitov-Ivanov. In the end, Chesnokov would go down as one of the most highly trained musicians in Russia, having spent years studying solfège, composition, piano, and violin.
But Chesnokov was not just a student during these years: he taught choral conducting in Moscow, served as choirmaster or conductor at several prominent schools and choirs (most notably the Russian Choral Society Choir), and most importantly, composed a spate of sacred choral works, including his most popular, Salvation is Created (1912). After the Bolshevik Revolution, Chesnokov was forced to abandon composition of sacred music, owing to sanction against such activity by the anti-religious Soviets. He thus embarked on composition in the secular choral realm.
From 1920, Chesnokov headed a choral conducting program at the Moscow Conservatory. He also remained busy, regularly conducting the choirs of the Bolshoi Theater and Moscow Academy. In addition, Chesnokov became the choirmaster at Christ the Savior Cathedral. In 1933, however, on orders from Stalin, the cathedral was demolished to make way for construction of a skyscraper that would never be built. Chesnokov became so distraught over the cathedral’s destruction that he stopped composing altogether. He continued teaching and conducting various choirs in Moscow until his death there on March 14, 1944.
Christ the Saviour Cathedral in Moscow was reconstructed in the 1990’s. The history of the demolition is heartbreaking, if not a little ridicuous;
“Under the state atheism espoused by the USSR, many “church institution[s] at [the] local, diocesan or national level were systematically destroyed” in the 1921-1928 antireligious campaign. As a result, after the Revolution and, more specifically, the death of Vladimir Lenin, the prominent site of the cathedral was chosen by the Soviet leader Joseph Stalin as the site for a monument to socialism known as the Palace of the Soviets. This monument was to rise in modernistic, buttressed tiers to support a gigantic statue of Lenin perched on top of a dome with his arm raised in the air.
The economic development in Russia during the 1930s required more funds than the government had at the time. On 24 February 1930, the economic department of the OGPU sent a letter to the Chairman of the Central Executive Committee asking to remove the golden domes of the Christ the Saviour Cathedral. The letter noted that the dome of the church contained over 20 tons of gold of “excellent quality”, and that the cathedral represented an “unnecessary luxury for the Soviet Union, and the withdrawal of the gold would make a great contribution to the industrialization of the country.” The People’s Commissariat of Finance did not object to this proposal.
On 5 December 1931, by order of Stalin’s minister Kaganovich, the Cathedral of Christ the Saviour was dynamited and reduced to rubble. It took more than a year to clear the debris from the site. Some of the marble from the walls and marble benches from the cathedral were used in nearby Moscow Metro stations. The original marble high reliefs were preserved and are now on display at the Donskoy Monastery. For a long time, these were the only reminders of the largest Orthodox church ever built.
The construction of the Palace of Soviets was interrupted owing to a lack of funds, problems with flooding from the nearby Moskva River, and the outbreak of war. The flooded foundation hole remained on the site until, under Nikita Khrushchev, it was transformed into the world’s largest open air swimming pool, named Moskva Pool.”
For those with Georgian language competence, this short documentary from the Georgian Patriarchate’s Ertsulovneba TV Station examines the Annunciation and contains many traditional Georgian hymns for this feast.
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